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Sonic Frontiers – Zero Punctuation

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This week in Zero Punctuation, Yahtzee reviews Sonic Frontiers.

For more major games Yahtz has reviewed lately, check out Bayonetta 3, Mario + Rabbids Sparks of HopeGotham Knights, A Plague Tale: Requiem, Scorn, Return to Monkey Island, Saints Row, and Elden Ring.

And don’t forget about Yahtzee’s other series, Extra Punctuation, where he’s recently talked about the scourge of gear scores and why to be wary of the new Silent Hill games.

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Transcript

Their handling of their signature franchise has been like watching two blind sea urchins trying to get through their wedding night. Any half decent idea for a Sonic game in their hands is as much use as a professional grade drawing tablet at a finger painting class for baboons. I’ve said many mean things about Sonic Team in the past. And currently. And in the very near future, as well. Sonic Frontiers sucks balls. Well, hm. See, insofar as I look forward to anything, I was looking forward to Sonic Frontiers. Because my game reviewer gut instinct, forged over many years in the crucible of disappointment and cake, told me that open world design may well be the thing that finally makes 3D Sonic work. OR it’s going to totally suck balls and either case will at least be fun to write about. The actual result is a mixed bag, for whatever that’s worth, I mean, a bag of dogshit and a bag of dogshit and cake are equally hard sells. I’ve always hated the aggressive linearity of Sonic levels, the way they keep shooting me right off the stage because I pressed the stick wrong or didn’t press jump in time or didn’t enter an uncontrollable sequence of boosters and springboards with the right positive attitude or because it was a Tuesday.

About the author

Yahtzee Croshaw
Yahtzee is the Escapist’s longest standing talent, having been writing and producing its award winning flagship series, Zero Punctuation, since 2007. Before that he had a smattering of writing credits on various sites and print magazines, and has almost two decades of experience in game journalism as well as a lifelong interest in video games as an artistic medium, especially narrative-focused. He also has a foot in solo game development - he was a big figure in the indie adventure game scene in the early 2000s - and writes novels. He has six novels published at time of writing with a seventh on the way, all in the genres of comedic sci-fi and urban fantasy. He was born in the UK, emigrated to Australia in 2003, and emigrated again to California in 2016, where he lives with his wife and daughters. His hobbies include walking the dog and emigrating to places.
Yahtzee Croshaw
Yahtzee is the Escapist’s longest standing talent, having been writing and producing its award winning flagship series, Zero Punctuation, since 2007. Before that he had a smattering of writing credits on various sites and print magazines, and has almost two decades of experience in game journalism as well as a lifelong interest in video games as an artistic medium, especially narrative-focused. He also has a foot in solo game development - he was a big figure in the indie adventure game scene in the early 2000s - and writes novels. He has six novels published at time of writing with a seventh on the way, all in the genres of comedic sci-fi and urban fantasy. He was born in the UK, emigrated to Australia in 2003, and emigrated again to California in 2016, where he lives with his wife and daughters. His hobbies include walking the dog and emigrating to places.

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